Alejandro G. Iñárritu’s “CARNE y ARENA” Virtually Present, Physically Invisible

Alejandro G. Iñárritu’s “CARNE y ARENA ,” is a virtual reality installation produced and financed by Legendary Entertainment and Fondazione Prada.
Included in the Official Selection of the 70th Festival de Cannes, the project will be presented in its extensive full version in the Deposito at Fondazione Prada in Milan.

Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees’ personal journeys. “CARNE y ARENA” employs the highest, never-before-used virtual technology to create a large, multi-narrative light space with human characters.


The experimental visual installation “CARNE y ARENA” is a six and half minute solo experience that reunites frequent collaborators Alejandro G. Iñárritu and three-time Academy Award®-winning cinematographer Emmanuel Lubezki alongside producer Mary Parent and ILMxLAB.

As stated by Germano Celant, Fondazione Prada’s Artistic and Scientific Superintendent, “with ‘CARNE y ARENA’, Iñárritu turns the exchange between vision and experience into a process of osmosis in which the duality between the organic body and the artificial body is dissolved. A fusion of identities arises: a psychophysical unity in which, by crossing the threshold of the virtual, the human strays into the imaginary and vice versa.

It is a revolution in communication in which seeing is transformed into feeling and into a physical engagement with cinema: a transition from the screen to the gaze of the human being, with a total immersion of the senses. The inclusion of Iñárritu’s project in the Official Selection of the Festival de Cannes 2017 perfectly embodies Fondazione Prada’s experimental vocation and its long-lasting engagement towards the correlation between cinema, technology and the arts.”

Courtesy of Fondazione Prada
Photo Courtesy of Neil Kellerhouse and Emmanuel Lubezki