How did this collaboration between you and Izumi Ogino for Anteprima begin?
I have a studio in Hong Kong, and I happened to meet Izumi in person, which led to building a connection. From there, we met for discussions, shared dinners, and eventually developed this project blending art and fashion.
This isn’t the first collaboration between Anteprima and the art world—the brand has been working in this space for years. I deided to join this upcoming collection, bringing my artistic vision into the project.
- Anteprima fashion show Fall/Winter 2025 – 2026 – Milan
- Anteprima fashion show Fall/Winter 2025 – 2026 – Milan
- Anteprima fashion show Fall/Winter 2025 – 2026 – Milan
- Anteprima fashion show Fall/Winter 2025 – 2026 – Milan
Can you tell us more about the sweater you’re wearing, which is part of this collaboration?
Anteprima drew inspiration for this collection from my artwork.
The brand has a strong foundation in knitwear—it’s part of its DNA. This particular piece I’m wearing is made from alpaca using a new technique and features my pattern.
As for the mask, I’m also a musician, and when I perform with my band, I wear a similar mask, but in total black. This, however, is the Anteprima version.
We know that you have many passions, including music, fishing, and more. We’d love to learn more about you—what you’re creating, what inspires your paintings, and how these influences shape your art.
Every aspect of my lifestyle inspires what I create.
Of course, fishing and music have a strong influence on my work, but it goes beyond that. They are part of a broader way of living—one that connects different elements of my experiences and creativity.
What about your project for the future?
I would love to collaborate with brands and the fashion industry again, as it presents an exciting challenge.
In parallel with the Anteprima collection, I have created special kimonos to celebrate the 470th anniversary of Chiso in an exhibition titled “Izumi Kato x Chiso: Paintings and Kimono.” Drawing inspiration from the simple, symbolic facial shapes that children often depict, I continue to explore the “human form” through my work. Using traditional Yuzen techniques, I collaborate closely with artisans to bring these creations to life.






